Referencing the layered accumulation of the source material, the majority of these pieces are structured horizontally. The substructure of mountain turf, which has, in most instances, been previously applied to the surface, facilitates an animated interaction between colour, form, and content.

This work generally explores a transposed view of a particular landscape — the focus directed towards the inherent processes involved in the landscape’s formation and the evolutionary and transformational qualities slumbering therein; just out of sight and just beyond comprehension.